Circa 1960s–1970s

A bold and sculptural mid-century modern abstract rendered in a striking vertical composition, this piece leans into the architectural side of Cubist influence. Stacked geometric forms rise rhythmically, creating a totemic presence that draws the eye upward and anchors a space with quiet confidence.

The palette is especially compelling—warm reds, golden ochres, soft blush, and muted teal—outlined in confident black linework. The interplay of color and form gives the piece both structure and movement, while the asymmetry keeps it visually engaging from every angle.

There’s a strong suggestion of a stylized figure or constructed still life, abstracted into planes and blocks, reminiscent of post-war European modernist studios where form and balance were explored over realism.

Signed “AT” in the lower left, the painting is presented in its original gilt frame, which adds warmth and a traditional contrast to the otherwise modern composition—making it incredibly versatile across interiors.

This is a piece that reads both artistic and decorative—perfect for adding height, color, and intention to a layered wall or as a singular statement in a refined space.