Second album from the Melbourne duo, recorded on the low slopes of Geboor / Mt Macedon in the winter of 2019. The cold, the isolation and the dramatic landscape around the studio felt appropriate for Life of the Inhabitant, a bleak, dehydrated more sci-fi proposition than the band’s debut. The new album was born from a desire to create something romantic. Not sexy, swoony romantic but “terrible/lonely/beautiful romantic, broken, defiant, tired, kind, quiet, strong and conflicted romantic” as Carlyon describes it, set in the ruins of the currently unfolding apocalypse.

Sophisticated, electronic bad-dream pop at its finest.