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Picasso made Falling Man in 1972, a year before his death at 91. It's a late work — raw, economical, the figure collapsing in a way that feels more like a meditation than a study. Some read tragedy in it; others see pure formal experiment. Either way, it has the uncanny quality of Picasso's best late work: something made by a man who had seen everything and was still genuinely curious. A serious piece for a serious wall.
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